Carolina Herrera's pretty-in-pink moment at New York Fashion Week

Monday was a spectacle of color from beginning to end at New York Fashion Week.Taobao agent From Carolina Herrera's rose-themed show, to the 1960s stylings of Jeremy Scott, it was bright, beautiful, and bold.
Herrera invited guests to one of her favorite museums, The Frick Collection, for her New York Fashion Week runway show Monday.
Her feminine collection featured flowing pleated skirts and two-piece gowns with just a hint of midriff. There were feathers, silks and chiffons and a button-down blouse-turned-gown that glided down the runway with a train of pastel organza.

Carolina Herrera's feminine collection featured flowing pleated skirts and two-piece gowns with just a hint of midriff. There were feathers, silks and chiffons and a button-down blouse-turned-gown that glided down the runway with a train of pastel organza.
The palate was almost exclusively blush tones, ranging from pale peony to bold magenta.
"As I say, I think I am in my rose period, because it's all about pink, and I have been using very pale shades of pink and a little bit more fuchsia and things like that. And it's a very soft collection because I think pink is very flattering for women, and it makes it very seductive, let's say," Herrera said.
Sitting front row for the spectacle was actress Penelope Cruz.
Pop-art explosion at Jeremy Scott
Meanwhile, Jeremy Scott's fertile pop-art imagination, and affection for the outrageous, were on full display at a high-octane show that melded elements as diverse as "Star Trek," John Waters movies, and artist Jackson Pollock.
The colors popped on the runway as models sauntered in exaggerated bouffant wigs and bright plastic shoes, some of them outfitted with an inflating nozzle— just for fun, not function.

There were futuristic bikinis, silkscreen dresses with images of vampy women, and knit miniskirts with big cartoon faces on them.
Scott's explanation of the unifying theme was endearingly all-over-the-map.
"It's my imagination of what the cool kids in the '80s on the Lower East Side in New York were doing. They were watching those early John Waters films and those Russ Meyer films that inspired them," Scott said.
"It's cross-generational; '80s looking at '60s, '50s. I wanted to play with all these nuances, like the vamp and that bad girl who was like, bouffant a little too high, belt a little too tight."

Another print, on a series of dresses and tops, seemed to take inspiration from the Jackson Pollock paintings at the Museum of Modern Art.Taobao Broker